Animated titles, badges and lower thirds from one sentence.

The whole walk · seven stops

From one sentence to a transparent graphic in the client's brand

Here's the walk, in the order you'll do it.

Your client's launch film is cut, and it needs an end card by tomorrow. Nobody on the team has the afternoon for it.

Here's where to make one.

Step 1 · Open Motion Graphics Studio

It's in the sidebar, under Video

Pick the client you're working on. Then open Video in the left sidebar and click Motion Graphics Studio. Every graphic it makes uses that client's colours and fonts. It opens with one line to describe the graphic and a Create button.

First, you say what you're making in one sentence, and pick the kind of graphic it is.

Nine starting points under the prompt. The kit's colors, fonts and motion character are already bound.

Step 2 · Say what you're making

Pick a starting point, write one sentence, and click Create 6 takes — the kit's colors, fonts and motion character are already bound

Pick a starting point, like a lower third, a badge or an end card, or just describe the graphic in one sentence. If the client sent a reference, upload it. Click Create 6 takes.

A minute or two later, six takes come back, and every one of them is moving.

Numbered, titled, playing over the transparency checkerboard. Free to scrub and compare.

Step 3 · The spread

A minute or two later, six numbered takes land — each one animating live, free to scrub and compare

A minute or two later, six takes land, numbered, each one animating over a transparency checkerboard so you can see the see-through parts. Hover to scrub. Compare them side by side.

You like number two, but not quite. You click it and say what to change.

New versions append as the next numbers. The originals stay exactly as they were.

Step 4 · Iterate by talking

Click a take's number, say the change, click Iterate — the new versions append as #7, #8, #9 beside the originals

Click the number of the take you like and say what to change: number 2, but slower, and the subline reads Built for the off-trail run. The new versions arrive as the next numbers. The originals stay exactly as they were.

#2 selected · the box changes

2▦

Red accent, top rule

Render6s · 1200×900

Evolving from #2 — describe the change.

slower entrance, and the subline reads Built for the off-trail run

or just type “number 2 but…” Iterate

Three ways to point at a take

Click its number badge

or its title — both select it as the thing you're changing

Name it in the box

#2 · number 2 · take 2 · variant 2 — all read the same

Pick more than one

select #2 and #5 and the change applies to both

The grid · #1–#6 stay, #7–#9 append

nothing overwritten

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2

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7from #2

8from #2

9from #2

Each round appends. The set is the version history: what the client approved last week is still #2, untouched, beside everything that came after.

When one is right, you render it, and you get a transparent clip for whatever editor cuts the job.

WebM for the web and the Video Editor Studio. ProRes for Premiere, After Effects and Final Cut.

Step 5 · Render the keeper

Click Render on the keeper — 30 to 60 seconds later it's a transparent clip in both formats an editor wants

Click Render on the keeper. Thirty to sixty seconds later you have a transparent clip in the two formats editors want: WebM for the web and the Video Editor Studio, ProRes for Premiere, After Effects and Final Cut. It composites over any footage.

Render #2 · the keeper

2▦

Red accent, top rule

WebMProResSave to Kit6s · 1200×900

Render → Rendering… → WebM · ProRes~30–60s

Two files, no background

WebM

Transparent WebM — web, CapCut, our editor

the light one; drops straight onto a Video Editor Studio scene

ProRes

ProRes 4444 — Premiere, After Effects, Final Cut

the professional one; every NLE reads its alpha

The same take over four placements

dark checker

light checker

solid white

solid black

If you work in Premiere, make motion graphics there too.

The same graphic, made in a panel inside Premiere Pro, lands on the timeline as a ready-made transparent clip.

If you work in Premiere

Make the same graphic inside Premiere Pro — it lands on your timeline as a ready-made clip

StyleForge has a Premiere Pro plugin. Pick the client's brand, describe the lower third or the end card in the panel, preview the takes, and click Use in Premiere: the graphic renders as a transparent ProRes clip in the kit's logo, colors and fonts and drops onto your active sequence, in place. No download, no import, no leaving the edit.

The panel, inside Premiere

“End card for the trail launch cut — bold, the name big, hold on the url.”

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2

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#2 · transparent ProRes .mov Use in Premiere

Your timeline · the active sequence

drops in place, above the footage

V2

SF #2 · end card

V1

A1

Pick the brand

the kit loads into the panel — logo, colors, fonts, saved graphics

Preview the takes

numbered versions, refined by talking, like the studio

Use in Premiere

transparent ProRes onto the active sequence, live progress while it renders

Premiere Pro 25.3 and up. The graphics you save to the kit here are in the panel too.See the Premiere plugin

You save it to the client's kit, and from now on anyone can find it by describing it.

A brand asset under Videos. It drops onto the client's next video in the Video Editor Studio.

Step 6 · Save to the kit and use it

Click Save to Kit and the graphic becomes a brand asset — searchable by describing it, and ready to drop onto the client's next video

Click Save to Kit and the graphic becomes one of the client's brand assets. Anyone on the team can find it later by describing it, and it drops straight onto the client's next video in the Video Editor Studio.

Save to Kit → Saved

2▦

Red accent, top rule

WebMProResSaved6s · 1200×900

Saved with what it says on screen, its type, its length and its size — so a search for the words finds it. The source stays editable: the set it came from is one click away.

Brand Assets · Videos

“our trail end card, the lime one”1 match

Trail launch end card · take 2

Motion graphic · 6s · 1200×900 · transparent

Videosmotion graphicend card

Where it goes next

Video Editor Studio

composites over the client's scenes — the clip animates itself, placed in the clear band

Any future edit

the same end card on every film for the launch; a system, not a one-off

Claude

"use our trail end card on this cut" — found by its words, placed by the editor

A week later the client wants it in the blue, and you pick up exactly where you left off.

Sessions holds every spread per kit. Open last week's, and the whole grid is back.

Step 7 · Come back next week

Every spread saves itself to the client's kit — open Sessions, pick last week's, and the whole grid is back to iterate

Every set of takes saves itself to the client. When the client calls next week with a change, open Sessions, pick last week's set, and the whole grid is back, ready for the next round.

Save · Sessions

Saved ✓Sessions

Session name

Trail launch — end cards

Every spread auto-saves — this names it on your Videos page.

+ New session

Trail launch — end cards

2026-09-05

Q2 lower thirds — founder interview

2026-08-28

Spring drop — sale badges

2026-08-14

What comes back when you open one

The whole grid

every take, in its numbers, playing

Every render state

what was rendered stays rendered — downloads still live

The thread

what was asked and what changed, so the next note has its context

The client-revision loop · a week later

same grid, any device

“Loved the end cards. Number 2 is the one — can we see it in the blue, and the subline should read Built for the off-trail run?”

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Evolving from #2 —in the blue, subline: Built for the off-trail runIterate

#10–#12 append beside the six. The approved #2 stays as it was. Under the grid, Keep iterating with Claude hands the same session to a conversation.

Or you say the whole thing to Claude, and it authors the takes for you.

The same live preview, the same numbers, render and save on your word.

Or · Say it to Claude

Tell Claude the graphic and the mood — it authors the takes, shows you the live preview, and renders the number you pick

Tell Claude the graphic and the mood. It makes the takes in the client's brand, shows you the same live preview, takes your notes by number, and renders the one you pick.

• The first spread takes about a minute or two to author; iterations are faster. Rendering a keeper takes about 30 to 60 seconds and produces both formats.
• One idea per message. Six takes of one graphic, not six different graphics at once.
• Now and then a take doesn't pass the quality bar and is dropped. The studio says so plainly; ask for another or reference an existing one.
• Animated charts and data graphics aren't one of the nine starting points yet. Describe one in words and the studio will still attempt it.
• Transparent previews and playback are best in Chrome. Rendered files download fine everywhere.

Pick the client's kit. Say the graphic. Six takes, then the keeper, transparent, in the kit.