StyleForge Cinema Ads 1.0 · Direct, don't prompt
A brief to a finished, brand-locked cut — directed, not gambled
Describe an ad and how it should be shot — cinematic camera and style — and Cinema authors 3 A/B/C storyboards. Draw to iterate any board, animate the winner into a directed film, then curate a cut and hand it to a finishing suite. A closed loop — create → iterate → generate → assemble — that saves, autosaves and reloads.
The closed loop · Create → Iterate → Generate → Assemble
One brief becomes a finished ad — and it never leaves the loop
Describe the ad and how it should be shot, and Cinema authors 3 storyboards. Draw to iterate a board, animate the one you love into a directed film, then curate a cut and send it to a finishing suite. Every step feeds the next — and the whole project saves, autosaves, and reloads.
direct + storyboard
Create
Describe the ad, set the camera & style, and get 3 A/B/C sketched storyboards.
draw to revise
Iterate
Draw or note on a board — only what you marked changes; the rest holds.
animate the winner
Generate
Approve a board and it animates into a directed film with real cuts.
cut + finish
Assemble
Heart the films, order the cut, and send it to a finishing suite.
Compare takes
Every Generate makes a new color-coded set beside the last — try Fast-Cut vs Handheld vs Orbit and keep the winner. Nothing overwrites your earlier ideas.
Change only what you draw
Draw-to-iterate revises just the panels you mark and holds every other one identical — precise direction, not a full re-roll.
It never leaves the loop
Save picks a brand kit, then autosaves. Reopen from your Videos page and the whole session — sets, boards, films, the cut — comes right back.
How it works, start to finish
Direct the shot, storyboard it, iterate, animate, then curate the cut and finish it — every step feeding the next, and the whole project resumable.
Direct the shot
Instead of writing prompts, set the craft — cinematic cameras & lenses, focal length & aperture, and style looks (palette, lighting). The direction is folded into the boards and the render, so you shoot on some lens, always.
Generate storyboards
Describe your ad and attach a product or person if you have one. The director authors 3 A/B/C storyboards — each a full sketched scene with shot sizes, angles and cut points — so you pick the coverage you like before anything animates.
Compare takes
Change the style or coverage and Generate again — a new color-coded set appears beside the last one. Flip between takes (Fast-Cut vs Handheld vs Orbit) and keep the one that lands.
Iterate on a board
Draw on a panel or pin a note — the director revises only what you marked and re-renders that board with every untouched panel held pixel-identical. Change the coat, keep the captain.
Animate the winner
Approve a board and it animates into a directed film — the sketched cuts become real cuts, dialogue is voiced, and the look shows in the render. It arrives as a titled video you can play inline.
Save & reload
The first Save picks a brand kit and turns the session into a project; from there it autosaves. Reopen it from your Videos page and the whole session — every set, board and film — comes back exactly where you left off.
Build the cut
Heart the films you love and they collect in a Film Assembly strip — drag to set the order (scene 1, 2, 3…), with a running scene + runtime readout as you curate across the session.
Finish anywhere
One click sends the ordered cut to a finishing suite — Video Director (an AI cut) or the StyleForge Video Editor (a manual timeline) — as a fresh project, footage already in order.
The last mile · Curate the cut, finish anywhere
Heart the keepers, order the cut, hand it to a finishing suite
The real work isn't the handoff — it's curation. Heart the films that make the cut, drag them into order, and one button spins up a new project in Video Director (an AI cut) or the StyleForge Video Editor (a manual timeline) — your clips already sequenced.
Heart the keepers
The Cut · drag to order
3 scenes · 0:24
Claude cuts your clips by meaning — trimmed and scored, on brand.
A full timeline — arrange, trim and finish the cut yourself.
Everything in Cinema Ads
Cinematic direction, A/B/C storyboards, draw-to-iterate, engine & resolution choice, permanence, and the Film Assembly bridge to a finishing suite — all live today.
Direct
Cinematic camera & style
Cameras, lenses, focal length and aperture resolve into real optics (8mm reads deep-focus, 85mm reads shallow bokeh — never a spec mismatch). Style looks add color palette and lighting. Direct the shot; the app writes the cinematography.
Plan
A/B/C storyboards
Every Generate authors three storyboard options at once — full sketched scenes with shot sizes, angles and cut points — so you choose the coverage before you spend a render on motion.
Compare
Multi-set takes
Generate again with a different style or coverage and a new color-coded set lands beside the last. Compare takes side by side and animate whichever you like — nothing overwrites your earlier ideas.
Refine
Draw-to-iterate
Pin or draw on a board and describe the change; only the panels you marked are redrawn, the rest stay identical. Precise revision instead of re-rolling the whole board.
Render
Choose the engine & resolution
Cinema picks the best engine for the shot, or you choose — Seedance 2 (720p or 1080p), Seedance 2 Mini, or Kling Omni (people-safe, 1080p). The card discloses exactly which engine rendered each film.
Keep
Permanence
Save picks a brand kit and creates a project; then it autosaves as you work. Every Cinema Ad becomes a first-class card on your Videos page — reopen it and the full session rehydrates.
Curate
The Film Assembly
Heart the films worth keeping into a drag-to-order Cut strip — the director's bin. Reorder, remove, preview and download right in the tray as you assemble the sequence.
Finish
Two-way handoff
Send the ordered cut to Video Director (AI cut) or the StyleForge Video Editor (manual). It spins up a new project with your clips already sequenced — the finishing suite takes it from there.
You direct with a sketched board and craft dials, and the engine animates that plan — that's what makes the cuts and the look reliable. It's a director's workflow, not a prompt box.
Cinema markets the product and shows the truth: each film's card is stamped with the engine that actually rendered it, and the engine menu lets you pick or let it choose the best fit.
Boards land in seconds; animating a film renders in the background (a couple of minutes, sometimes more) and drops in as a titled video when it's ready.
Seedance 2 offers 720p and 1080p; 1080p is sharper and costs more per second. You pick the resolution in the engine menu, and the cost reflects it.
Generating is kit-agnostic and fast. The first Save is the deliberate step that names the project and files it under a brand kit — after that it autosaves, and assembling requires a kit too.